NEW PUBLICATION: LUSO-BRAZILIAN PERSPECTIVES IN ARTS AND COMMUNICATION VOL.3

E-BOOK “LUSO-BRAZILIAN PERSPECTIVES IN ARTS AND COMMUNICATION VOL.3 ” AVAILABLE CIAC’s WEBSITE
Luso-Brazilian perspectives in Arts and communication Vol.3 is CIAC’s most recent publication and is already available in open access on CIAC’s website. This volume brings together a set of reflections on artistic endeavors in Cinema, Fine Arts, Theater, and digital media-art. The e-book was edited by researchers Denize Araujo (CIC/UTP), Jorge Carrega (CIAC/UAlg), and Ingrid Fechine (CMCP/UEP).
The e-book is divided into two parts and has contributions by Portuguese and Brazilian researchers on Arts, Communication, Technology, and Cinema. Topics addressed include the use and creation of technological images; video games as a tool for containing online hate speech; clipoems and Multimedia poetry; film production and adaptation; the contemporary creation process; among others.
Articles by CIAC researchers are: Mirian Tavares (“Vidas secas: do livro ao filme ou a genialidade de um realizador”), Bruno Mendes da Silva e Alexandre Martins (“The Good-Bad Movie: a subcultural phenomenon”), Jorge Carrega (“Citizen Kane e o nascimento do film noir”), Susana Costa (“Literacia mediática e discurso de ódio online no Projeto Play Your Role“), Hernando Urrutia (“La Contemporaneidad Audiovisual: una aproximación a la experimentación y a la transgresión”), Ana Alexandra Carvalho (“Três versões cinematográficas de Os Miseráveis de Victor Hugo: Capellani, Lelouch e August”), João Carvalho (“Do Pecado no Cinema e na Literatura”), Patrícia Dourado (“O gesto de fazer do roteiro entre tradução e experimentação contínua”), Paulo Barroso (“Comunicação e estratégia na crise pandémica em Portugal e no Brasil”), and Sara Fernandez (“O filme Al Sur de Granada como retrato da ruralidade espanhola do início do século XX”).
The series of ebooks Luso-Brazilian perspectives in Arts and communication is part of a partnership between CIAC – Research Center in Arts and Communication (University of Algarve); CIC – Research Group “Communication, image and contemporaneity” (University Tuiuti of Paraná, Brazil); and the Research Group “Communication, memory, and Popular Culture”, (State University of Paraíba, Brazil). The first volume was released in 2016, and the second in 2019.






